Monday, January 31, 2011
guest blogger • jo-ey tang
[jo-ey tang. installation view from UCLA new wight biennial 2010: another romance. task for the exhibition: after the opening night, all objects moved forward by 5 inches, out of the spotlight. materials: note found in palermo viejo, buenos aires, broken cement plant plate, woven belt, aluminum tile, standing lamp, bamboo window shade, plastic flowers, chrome stand, black and white infrared gelatin silver print, deodorizing candle in glass jar, fire, soot, broken custom-made mirror, window screen, wine-stained table runner, folding stool, c-print.]
Posted by
laurel
at
12:01 AM
Labels: guest blogger, jo-ey tang
Sunday, January 30, 2011
Jiajia Zhang



What do you do? Photographer
Where did you find these pictures and why did you keep them?
I found them in a coat I bought from a flea market. I kept them because I like them in my pocket. As a series, they give a nice sense of vertigo, dreamscapes and Versailles.
Posted by
Ann Woo
at
7:18 AM
Labels: jiajia zhang
Matilde Soligno
Where did you find these pictures and why did you keep them?
I found these pictures in a few different flea markets in Italy, where I live. I chose them for the sort of clashing feelings of fragility and intimacy they emanate. I keep one of them in my organizer (agenda), and the other ones are spread on my walls and shelves, so I can see them. I also included one of them in a series I shot exploring and articulating upon the imagery of found photographs: the name of the series is indeed Il Diario Ritrovato (The Finding of a Journal).
Posted by
Ann Woo
at
7:10 AM
Labels: Matilde Soligno
Georg Gatsas


'I found photographs' – Georg Gatsas. See More of his work here
What do you do?
I am an artist and work mostly with the medium photography. I try to be as open, aware and curious as possible of what's going on in this world.
Where did you find these pictures and why do you keep them?
I found these pictures in the basement of my grandmother's house, right after she died in March 2009. This is just a small selection of about 400 pictures, all packed in a small box. They were shot between 1946 and 1947, in the countryside of Switzerland. I think they were shot by a family member of mine as they were all shot around the village deli that my grandmother was running. I think they look quite amazing since they are shot totally different than regular pictures people took around that time. I want to compile a book with a selection of 80 pictures. The series is called "Grandmother's Box", a dedication to her. I think the book with these pictures are important as they tell a different story from the rural Swiss countryside in the 40ies. I let them scan and took the brown color out. They look pretty fresh now.
These three pictures were part of the group exhibition "What Sticks" at the BolteLang gallery in Zurich, with Vanessa Billy and Daniel Gustav Cramer. See more information here
Posted by
Ann Woo
at
6:45 AM
Roderick Kiracofe
'I found photographs' - Roderick Kiracofe. See more hereHello Ann and Jia Jia,
My friend Jason Hanasik passed along your fascinating call for submissions. I have been thoroughly enjoying the last few posts on iheartphotograph and hope my collection isn't too late.
Best,
Roderick
What do you do?
I am a conceptual artist and collector.
Where did you find these pictures and why do you keep them?
I found these pictures on Ebay and through private dealers. I just love them. I am constantly fascinated by the untold stories inherently embedded in vernacular images.
My partner had a tradition in his family that he introduced me to at the very beginning of our meeting. The tradition went, one should say the words “rabbit, rabbit” immediately after waking up on the first day of each month. It was meant to bring good luck to you during the coming month. Both of us were also born in the year of the rabbit and I have since found myself fascinated by rabbit images and objects.
This selection of my found photographs mixes that tradition/interest with some of the more sweet and curious images of men that I have also been collecting throughout the years.
Matthew Monteith
Matthew Monteith was born in Howell, Michigan in 1974. He studied at the International Center of Photography before earning an MFA from the Yale School of Art. He was a Fulbright Scholar in Prague and was awarded a residency at the Marie Walsh Sharpe Foundation in New York City. His work has been exhibited in solo exhibitions in Paris, Arles, Cherbourg, and Kyoto as well as group exhibitions in New York City, Miami, and Rennes.
Monteith lives in New York City and currently a teaches at the Yale University.
Dear Jiajia,
Jirka tells me that you are curating found images together with Ann Woo for I Heart Photograph. I have so many but only these scanned from the Czech Republic. Found photographs from the time between and before the wars in the Czech Republic were a big influence on the structure of my work that became "Czech Eden" Aperture 2007. Here are a few that closely relate that I have scanned. If you are familiar with the book
I am sure you can see the connections.
Best,
Matthew
I went to Matthew's 'how to work efficiently in the color darkroom and why' class at ICP in 2008 and was hooked with the medium since then.
I remembered his first comment for me was, 'Ann...what are you doing???'
To this day, I still didn't get to thank him properly...
Matthew, thank you very much, your color printing tips were brilliant!
Do you have any more of those??
Posted by
Ann Woo
at
4:00 AM
Labels: czech republic, Matthew Monteith, mountain
Saturday, January 29, 2011
Jiri Makovec
I found the skater-pictures at my friend Kuba's house. He took them with his camera when we were both 14, 1991 in czechoslovakia. I keep them because they remind me of a certain state of mind I was in at that time. The country was just going through some major changes and so was I. After the velvet revolution things from the west became accessible. That's when I changed from rollerskating to skateboarding. Also, I bought the shirt with the slogan: life's a beach.
Posted by
Jiajia Zhang
at
6:21 PM
Labels: czech republic, kids, Skater
Bryan Lear



Posted by
Jiajia Zhang
at
4:36 PM
Henrik Strömberg
Posted by
Jiajia Zhang
at
3:14 AM
Friday, January 28, 2011
Adam Good and Steve Halo
I know or have known; I imagine that they are childhood “self-portraits.” I
started this collection because each image reminded me so strongly of my
memory of a particular childhood friend, and I feel the same sense of
nostalgia and loss as I do when looking at actual photographs of my old
friends. I keep collecting them because I am interested in how we create and
project a “self” onto the people who move in and out of our lives, and in
how our memories influence what we see.
by. Right now helping my roomate on stuff for her necktie line.
you find these pictures and why do you keep them?
basement. These pictures are precious to me, as they are my family. My aunt
(in the picture) became a model for Giorgio perfume. She is still pretty
now, and almost 70.
Posted by
Jiajia Zhang
at
9:01 AM
Thursday, January 27, 2011
Victor Sira
Posted by
Jiajia Zhang
at
4:30 AM
Wednesday, January 26, 2011
Ruth Van Beek


Posted by
Jiajia Zhang
at
8:09 AM
Tuesday, January 25, 2011
'found fisherman photographs' by shane lavalette
Publisher/Editor, Lay Flat: www.layflat.org
Posted by
Jiajia Zhang
at
7:51 AM
Monday, January 24, 2011
guest blogger • ann woo + jiajia zhang
[top: ann woo. studio. bottom: jiajia zhang. le hemwe.]
Posted by
laurel
at
6:00 AM
Labels: ann woo, guest blogger, jiajia zhang
Sunday, January 23, 2011
the art of memory
trains in cinema, part 8
two recent posts from the excellent blog, the art of memory.
Posted by
charles benton
at
8:00 AM
Labels: blogs, film, music, the art of memory
Saturday, January 22, 2011
sergio vega
[all sergio vega. top to bottom: alice's backyard. across the corpus callosum (installation view). shanty nucleus after derrida 2 (installation view).]
Posted by
charles benton
at
11:45 PM
Labels: installation, sergio vega
david byrne • true stories
Posted by
charles benton
at
5:35 PM
Labels: 1980s, david byrne, film, roger ebert, talking heads
Friday, January 21, 2011
wim wenders and the new german cinema, via roger ebert
the american friend (1977)
paris, texas (1984)
wings of desire (1987)
Posted by
charles benton
at
9:30 AM
Labels: film, new german cinema, roger ebert, wim wenders




































